The weight of the world felt heavy on Kenzii's shoulders. Between the internal power struggles of the company and the creeping darkness of his demonic hand—a curse whose origins remained in mystery—he barely had a moment to breathe. Yet, the universe had no intention of granting him a break. The Slaughter System flickered into existence before his eyes once more, its holographic interface bleeding into the living room light to reveal a new name.
[Target Profile:
Name: Elias "The Artist" Thorne.
Age: 55 Years Old.
Status: Widower, two children (one deceased).
Occupation: Former Private Security Consultant.
Ethnicity: American.
Transgressions: Torture for Hire, Multiple Homicide...more.
Warning: High Alert.]
Kenzii's brow furrowed as he reached the bottom of the profile. A High Alert warning pulsed in crimson—the second time he had ever seen such a signal in his six years as the Collector. It was a silent admission from the system itself: this mission would be brutal, perhaps even fatal.
"What's with the face? Another target?" Alas asked from the opposite sofa. Sota, looking up over his laptop, at the sound of concern in Alas's voice.
"Yeah, and it's a High Alert warning," Kenzii replied flatly.
The atmosphere in the room shifted instantly. Both cousins straightened up, their expressions hardening. They remembered the last time that red signal had flashed—it had been a descent into hell.
"Who?" Sota demanded, his voice dropping into a professional, serious register.
"Elias 'The Artist' Thorne," Kenzii said.
The sound of shattering ceramic echoed through the room. Alas had dropped his coffee cup, his eyes wide with a rare, visible terror.
"Hey, watch out. We just bought that set," Sota muttered, though his eyes remained fixed on Alas.
"The Artist?" Alas whispered, ignoring the mess. "So... Elias is his real name?" He seemed to be speaking to himself, his mind racing through classified files he had encountered during his early days with the CIDG.
"He's a legend in international intelligence circles," Alas explained, his voice trembling slightly. "A torture for hire specialist. He is the man the global elite called when they wanted someone erased—not just killed, but broken. No one even knew what he looked like until he disappeared four years ago."
"Now we know," Kenzii countered, his voice devoid of the fear that was consuming Alas.
"You don't understand, Kenzii," Alas snapped, his eyebrows knitting together in frustration. He grabbed his laptop from the glass table, his fingers flying across the keys with a frantic, terrified energy.
Five minutes of suffocating silence passed before Alas finally turned the screen toward them. "Look at his work," he said, his voice hollow.
Sota leaned in, his brow furrowed as he squinted at the screen. His eyes widened, and he physically flinched. "Those are his victims?"
The screen displayed a series of gruesome "artworks". Elias Thorne didn't just dump bodies; he sculpted them. Each victim was perfectly arranged to mimic famous paintings.
"The Artist tortures them while they're still alive," Alas explained, his voice shaking. "He molds their bodies to satisfy the sick artistic cravings of his employers and his. His most infamous piece is this one."
Alas scrolled to a final image: a recreation of Edvard Munch's "The Scream".
The victim was suspended from the ceiling by a wire around their neck, just enough to keep the body upright but feet barely touching the floor. The face was a nightmare of surgical reconstruction—the eyes and mouth had been carved and stitched into the iconic, hollow ovals of the painting. The hands were permanently sewn to the sides of the head, and behind the corpse, the background of the painting had been recreated in the victim's own blood.
It wasn't just a murder; it was a masterpiece of human suffering.
"He is a professional who understands the mind of a predator," Alas whispered, looking at Kenzii with eyes full of dread. "He will see you coming. What do you think will happen to you if he gets you first, huh?"
Kenzii stood up, the air in the condo turning unnaturally cold as the shadows seemed to lengthen around him. He looked at the image of the mutilated victim, then down at his own left hand—the hand that was destined to collect the souls of such monsters.
His newly upgraded system greatly increased his confidence that he would be able to successfully complete his current mission. An old man like Elias doesn't much to his speed.
"I don't need you to believe me," Kenzii said, his gaze as icy as the void. "I only need you to trust me."
.
The search for Thorne was an exercise in digital exhaustion. For two grueling days, the cousins engaged in a silent war against encrypted databases and ghost servers.
Alas scoured official records, finding that Thorne was once the "Golden Boy" of the security world, the top consultant in America by 2010. That was until he was framed for high treason—accused of selling Department of Defense blueprints to foreign syndicates and designing the very security flaws that led to the assassination of a diplomat he was sworn to protect. After five years in a federal black-site, he had vanished into the void.
"You don't find a man like Elias through public records," Sota muttered, his eyes bloodshot from staring at his screen. "You find him by tracking the things he can't live without."
Using his influence as a COO, Sota bypassed global shipping logistics. He looked for black-market hardware—thermal dampeners and signal jammers—shipped to anonymous P.O. boxes. At the same time, Alas tracked ghost transactions for high-bandwidth satellite internet in regions where service shouldn't exist. They tracked him down the very day he disappeared and when he was last seen, even his online and offline transactions they could recover didn't slip.
By the end of the third day, a single red dot flickered on their map.
"There," Sota said. "He's not in a farmhouse or a silo. He's hiding completely. He owns a private island off the coast of Maine—an island that doesn't appear on most civilian charts. He bought it under his late son's name who used his ex-wife's name."
The locals in the nearest coastal town spoke of the place in whispers. They called it "The Silent Isle". Boats that drifted too close experienced sudden engine failures or were stopped by high electricity. It was a fortress of isolation, built by a man who expected the world to come for him eventually.
.
On the fifth day, Kenzii arrived in the United States. He traveled under a forged passport, his face hidden by a masterfully applied prosthetic mask that altered his jawline and brow.
He checked into a weathered, salt-stained motel in a small fishing village—the closest point of civilization to Thorne's private domain. The room smelled of old wood and the Atlantic Ocean. On the small wooden table, Kenzii spread out the maps Sota had compiled.
The Silent Isle was a sharp rock with thick pine trees in the cold North Atlantic ocean. It was surrounded by dangerous currents and spiky reefs that acted as a natural defense. Thorne's villa sat at the highest point, a harsh structure of reinforced concrete and glass, designed to provide 360-degree visibility.
The plan was simple yet suicidal. On the fifth night, Kenzii would not approach by boat or air—Thorne's radar and thermal sensors would notice him miles away. Instead, he would swim.
He spent the afternoon checking his gear: a high-end closed-circuit rebreather that emitted no bubbles, a matte-black tactical wetsuit designed to absorb sonar waves, and the dark energy coiling within his own limb.
When the night fell the moon was a mere sliver, hidden behind a heavy bank of storm clouds. The water was bone-chilling, a physical weight that pressed against Kenzii's chest as he paddled into the surf.
The swim was a two-mile trek through pitch black water. Every muscle in his body screamed against the cold, yet his left arm remained unnaturally warm, a demonic hearth keeping his blood from freezing. He moved beneath the surface, a shadow among shadows, guided only by his determination to end the artist's life.
As he neared the island's rocky shore, he finally understood how deeply afraid Thorne really was. Automated guns sat on the cliffs, their red lights searching the water like rmechanical sharks. Motion lights blinked sometimes, showing the splashing waves.
Is this how scared he is?
Kenzii reached a narrow gap in the rock—the only spot Sota had identified as a blind spot in the thermal grid which Kenzii didn't know how Sota had managed to know. He dragged himself out of the water, his breath coming in rough gasps. He stripped off the rebreather, looking around the place.
The silence of the island was unnatural. There were no birds, no insects—only the hum of generators and the distant lap of the tide. As he climbed the cliffs toward the villa, Kenzii felt a sudden, sharp chill that had nothing to do with the wind.
He stopped. Ten feet ahead, a single tripwire—nearly invisible to the naked eye—glimmed in the dark. Beside it, a small, black disc sat buried in the dirt. A pressure-sensitive mine.
Shit.
Thorne hadn't just built a fortress; he had built a graveyard.
Kenzii looked up at the villa. High above, behind a pane of reinforced glass, a silhouette stood perfectly still, looking out over the ocean. It was Thorne. He wasn't sleeping. He wasn't hiding. He was standing there, a glass of wine in one hand, staring directly toward the cliffside where Kenzii bent.
For a heartbeat, their eyes met across the distance—the hunter and the artist. Thorne raised his glass in a mock toast, a slow, predatory smile spreading across his face. He had known someone was there from the moment it touched the water near his property.
The hunt had begun, but as Kenzii felt the demonic hunger in his arm reach a fever pitch, he realized with a terrifying jolt: he wasn't here to kill a man. He was here to survive a monster. The darkness in his hand surged, more violent than ever before, as if recognizing a similar spirit in the man at the top of the hill.
Tonight, the Silent Isle would earn its name. Only one of them would leave it alive, and as the first drop of rain hit the dry earth, Kenzii realized that for the first time in his life, he didn't know if the system had sent him to be the executioner—or the sacrifice.