Everyone present could sense that the origin of this Cultivation Technique was the very same "Cyan Pine Unmoving Technique" taught in schools across the nation.
In Gu Ming's hands, however, this Cultivation Technique had undergone a tremendous change.
From the Painter's direct perspective, at first glance, it was a cyan pine. But halfway through, he felt the cyan pine was no longer the focus—the person was.
And when he had finished the painting, he was stunned to find that the original cyan pine had completely vanished. Only Gu Ming's figure remained, walking through the ink-wash landscape and leaving a trail of footprints.
This kind of profound, human-centric core Cultivation Technique was clearly a rare sight for him.
He had created paintings for a few human-centric Cultivation Techniques before, so in his view, that alone wasn't particularly strange.
