He hit Gelion four times before the sentence finished echoing off the courtyard stone.
The first two were telekinetic, precision strikes tuned to the cohesion frequency he had spent ninety seconds collecting, hitting the densest clusters of the slime mass where the absorbed workings were stored and making them resonate outward instead of inward.
The third strike was physical, with his fist driving into the central body cluster, applying the full mechanical weight behind it. The fourth was a simultaneous combination of both techniques from the same point of contact.
This kind of coordination was only achievable when the telekinetic field and the body had been working in harmony long enough that the distinction between them became largely theoretical.
Gelion made a sound that had no human equivalent.
