Over the past year or so, Jiang Qin had grown Muzhao Entertainment into an increasingly large enterprise.
To lighten her workload, she had recruited a great deal of talent, and now she was mostly hands-off.
She only occasionally released new songs for the singers the company wanted to promote and continued to handle its philanthropic efforts.
She also produced a number of dramas, some designed for their soothing effect and others for pure entertainment.
In fact, with the rise of short dramas, the people of the Interstellar era no longer had to rely on her.
After all, ever since this channel was developed, everyone had been showing off their unique talents, coming up with all sorts of ridiculously melodramatic plots.
Those kinds of dramas, both infuriating and satisfying, were incredibly addictive.
The explosive popularity of this industry also solved the employment problem for a batch of unknown actors.
