Damn, it's so awkward.
Zhao Jingzhong's face turned red, and the other experts were speechless.
Paintings like this demand realism; the more they return to nature, the more they align with essence, and the more valuable they seem.
After Yang Chen's analysis, everyone instantly felt that Zhao Jingzhong's painting was worthless.
Yang Chen then pointed to a nearby painting, "Green Hills and Clear Waters," and commented, "This painting is good in terms of content and color, but I still have to call it garbage."
The face of the master of Chinese painting, Tang Shoucheng, tightened suddenly, as it was one of his proud works.
Zhang Tiancang: "Kid, how can you say that?"
