Professor Boggs stroked his beard.
He spoke as if lecturing the female painter across the Great Ocean: "The focus of this concept is not on the first half of the work, but the latter half. Pain is just a process, but enlightenment is the key."
"The artist must not only immerse Tony in the old-world memories created by the piece but also allow him to detach from the pain and enter the artist's virtual worldview."
"So the key is—to get in, you must also be able to get out. Judging by this theme, there's no need to paint this piece of separation at the pet hospital."
Professor Boggs instructed from a high vantage point: "Firstly, this will constantly remind Tony that he has already parted ways with his cat. Secondly, if the grief is too overwhelming, it won't be shaken off and will instead affect the artist's subsequent narrative. This scene of separation is extremely penetrating but will disrupt the overall emotional continuity of the painting."
