And the people around are all accustomed to seeing the big scenes.
Even an ordinary master-level sketch wouldn't surprise everyone so unusually.
At first, Sir Brown maintained a composed and indifferent demeanor.
A few seconds later, he heard the collective gasp in the conference room, which not only did not cease but intensified.
It seemed as if everyone had swallowed a Mexican burrito with too much Devil's pepper.
The chairman also started to lose his composure.
He finally stretched his neck and frowned at the book in the academician's hands.
Wow!
Upon seeing the cover illustration of "The Little Prince," the chairman's first reaction was that this painting was extraordinary.
The kind of hazy, dreamy pigment quality and the sense of communication between the brush and ink.
Even as a photo print, it gave the silver-haired Sir a shiver all over.
A masterpiece—printed on the book's surface yet still so powerful; the original exceeded the normal standard by far.
