Gu Weijing also tried to get slightly hands-on, rubbing his fingertips over the surface of the linen canvas, a rich tactile sensation came from the skin of his fingertips.
He could sense the creamy paint seeping continuously into the depths of the canvas under the pressure of his fingertips, mixing with other layers of paint around it.
A similar tactile experience, Gu Weijing also felt when painting knife painting. The difference was that the sensory ability of the skin directly in contact with the paint was far more sensitive than that of the metal painting knife.
Whether through a layer of medium or directly zero-distance contact with the paint on the skin receptors, the feeling is completely incomparable.
Under the sensation of the fingertips,
The texture of oil painting is no longer just a visual word but becomes a richer tactile vocabulary, also allowing the paint layers to be extremely light and thin.
